The sartorialists: Wearing the city

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Denton Corker Marshall's Melbourne Museum reinterpreted by Natalie Ser Whye Chow 
and Mietta Mullay.

Denton Corker Marshall’s Melbourne Museum reinterpreted by Natalie Ser Whye Chow and Mietta Mullay.

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Denton Corker Marshall's Melbourne Museum reinterpreted by Natalie Ser Whye Chow 
and Mietta Mullay.

Denton Corker Marshall’s Melbourne Museum reinterpreted by Natalie Ser Whye Chow and Mietta Mullay.

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Sean Godsell's RMIT Design Hub reinterpreted by Isabella Peppard Clark and Anna Margin.

Sean Godsell’s RMIT Design Hub reinterpreted by Isabella Peppard Clark and Anna Margin.

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ARM Architecture's Melbourne Recital Hall reinterpreted by Sammy Barry and Tori Caljouw.

ARM Architecture’s Melbourne Recital Hall reinterpreted by Sammy Barry and Tori Caljouw.

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ARM Architecture's Melbourne Recital Hall reinterpreted by Sammy Barry and Tori Caljouw.

ARM Architecture’s Melbourne Recital Hall reinterpreted by Sammy Barry and Tori Caljouw.

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ARM Architecture's Melbourne Recital Hall reinterpreted by Sammy Barry and Tori Caljouw.

ARM Architecture’s Melbourne Recital Hall reinterpreted by Sammy Barry and Tori Caljouw.

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Lyons Architecture's Swanston Academic Building reinterpreted by Emilia Firus and Alexis Infeld.

Lyons Architecture’s Swanston Academic Building reinterpreted by Emilia Firus and Alexis Infeld.

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Wood Marsh's ACCA reinterpreted by Tamara Baksheev and Matthew Li.

Wood Marsh’s ACCA reinterpreted by Tamara Baksheev and Matthew Li.

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Bates Smart's Orica House reinterpreted by Vishanka Nagendra and Shivani Amin.

Bates Smart’s Orica House reinterpreted by Vishanka Nagendra and Shivani Amin.

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Bates Smart's Orica House reinterpreted by Vishanka Nagendra and Shivani Amin.

Bates Smart’s Orica House reinterpreted by Vishanka Nagendra and Shivani Amin.

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Bates Smart's Orica House reinterpreted by Vishanka Nagendra and Shivani Amin.

Bates Smart’s Orica House reinterpreted by Vishanka Nagendra and Shivani Amin.

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Fender Katsalidis' Eureka Tower reinterpreted by Sean Furlonger and Joyce Truong.

Fender Katsalidis’ Eureka Tower reinterpreted by Sean Furlonger and Joyce Truong.

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LAB Architecture Federation Square reinterpreted by Adrian Fernandez & Felicia Grant.

LAB Architecture Federation Square reinterpreted by Adrian Fernandez & Felicia Grant.

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John Wardle and NADAA's Melbourne School of Design reinterpreted by Shereen Amin and Amanda Luu.

John Wardle and NADAA’s Melbourne School of Design reinterpreted by Shereen Amin and Amanda Luu.

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McBride Charles Ryan's Monaco House reinterpreted by Rachael Halstead and Raphaela Mistura.

McBride Charles Ryan’s Monaco House reinterpreted by Rachael Halstead and Raphaela Mistura.

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Students from Monash University Art, Design and Architecture transform Melbourne's contemporary architectural icons into wearable art.

Students from Monash University Art, Design and Architecture have transformed a selection of ten iconic Melbourne buildings into wearable art, including RMIT’s Design Hub by Sean Godsell, ACCA by Wood Marsh and the new Melbourne School of Design by John Wardle and NADAA. Working in collaboration with the architects as well as artist Callum Morton, fashion designer Miriam Borcherdt and architect Cate Hall, the designs dissect the buildings’ language into human scale, exploring the way the tectonics react to human movement. They use a range of techniques from folding and pleating, to wrapping and draping.

Lyons Architecture’s Swanston Academic Building reinterpreted by Emilia Firus and Alexis Infeld.

Architecturally, the effects of surface design can be seen in many of the designs as they are a literal translation of a building’s facade into a textile. Of particular note is Emilia Firus’ and Alexis Infeld’s interpretation of Lyons Architecture’s Swanston Academic Building: the patterns and forms of its facade are extruded and recrafted into an origami dress. Other projects also play on concepts of silhouette and form.

The project is inspired by the legendary 1931 costume ball of the Society of Beaux-Arts Architects, in which over twenty of New York’s preeminent architects of the time dressed up as a building they had designed. It’s a tradition that lives on in many of New York’s architecture schools.

The inspiration: The 1931 Beaux-Arts ball where New York’s architectural elite dressed up as their buildings. From L-R: A. Stewart Walker as the Fuller Building (1929), Leonard Schultze as the Waldorf-Astoria Hotel (1931) , Ely Jacques Kahn as the Squibb Building (1930), William Van Alen as the Chrysler Building (1930), Ralph Walker as 1 Wall Street (1931), D.E.Ward as the Metropolitan Tower and Joseph H. Freelander as the Museum of the City of New York (1930). Image:  New York Times

The students’ designs will be presented for one night only on Saturday 15 November, 2014 at MPavilion.


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